For immediate release
Cardiff-born musician launches all or nothing bid for debut album
Pianist and Royal Academy of Music jazz graduate, Peter Lee, is crowdsourcing his debut album for five piece band and string quartet through Kickstarter in an all or nothing bid to create ‘The Velvet Rage’.
Inspired by Alan Downs’ book of the same title, the album expresses the highs and lows of Lee’s personal experience as a musician. Downs worked as a psychologist in America, offering counselling to gay men and he has become familiar with their most common personal battles. Towards the end of the book he offers wisdom and guidance towards a goal he names ‘authentic validation’. Lee’s debut is tribute to this sentiment, showcasing compositions Lee has written over the last 10 years, drawing from his educational, professional and personal journey.
Lee commented: “Gay men and women have been granted the opportunity to marry in so much of the western world; we can walk through the streets hand-in-hand and yet it would be naïve to think that personal struggles related to sexuality aren’t still going on. Attacks on the LGBTQ community still happen, but we’ve seen our communities respond with an unprejudiced sense of unity. I’m so grateful that I live in an age where I can be out and proud and express my perspective through the medium of music.”
Cardiff-born and London-based, Lee received his undergraduate degree from Leeds College of Music and his campaign to raise £5,000 has attracted support from across the country with over 55% raised at the halfway mark.
For such a qualified musician, Lee’s story is one of humour and determination. His first gig with his band prompted an official complaint from the examiner-in-chief at the Royal Academy of Music. It was his final recital for his masters in jazz piano, but Lee went in with a band full of pop musicians. The audience whooped and cheered so raucously that a formal email was sent to all students about ‘appropriate’ exam conditions.
While touring with Alice Zawadzki, Lee worked with the Manchester-based “Amika” String Quartet whose stunning playing led him to arrange his music for strings, and invite them to a week-long recording session in the Autumn of 2016. From there, the album progressed into an offering that spans a decade of work with an authentic and highly talented group of musicians.
Lee needs to raise the full £5,000 by midnight on Tuesday 11 April and would welcome support from all corners. Visit www.bit.ly/petelee to join this exciting new project.
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For further information, contact:
Leah Thomas @ Blue Flamingo
Notes to editors:
Lee recorded for five days in Fieldgate studio in Cardiff. The musicians involved are: Pete Lee (piano/compositions), Josh Arcoleo (sax), Alex Munk (guitar), Huw Foster (bass), Ali Thynne (drums), and the “Amika” Strings: Laura Senior (violin), Rich Jones (violin) Lucy Nolan (viola) and Peggy Nolan (cello). The session was recorded by Andy Lawson, Alex Killpatrick & Matt Williams at Fieldgate Studios in South Wales. Matt Roberts produced the album.
Pete Lee’s Narcissus opened to a rammed house on this cold January evening at The Vortex, bringing fire and frenzy to East London.
Opening with a recent composition which was still ‘unnamed‘ Pete Lee (piano) started the tune with solo piano. A structurally complex work which integrated solo, heavy groove and ballad vibes, it really showed how many influences this ensemble has. Next up was Mirror Stage which brought tenor player Nadim Teimoori to the stage (we have previously heard Narcissus with Josh Arcoleo). Mirror Stage was a frenzy of sound with beautiful unison lines between Teimoori and Huw Foster (bass) moving on to what can only be described as a meditation of groove. (Pairing of unison lines across different instrument combinations is a delicious Narcissus hallmark). Lee’s solo here was a history of music for the piano, Brahmsian flourishes juxtaposed with contemporary ‘jazz’ harmony, alongside ‘piano basics’ of octaves and fourths. You never knew what was coming next. Tom Varrall on guitar demanded attention with a frenetic solo which inspired energy from the rest of the band. With sax returning with the head, guitar continuing soloing and the rest of the band playing a rhythmically displaced groove it was insane controlled mayhem. The colour of the guitar and sax voices blended so well that sounds were interlaced, lost and beautifully fused.
Third tune of the night, Criss Cross, moved sound worlds effortlessly, starting with solo bass which we mistook for guitar soloing, such was the lyricism. North African sounding filmic modes then segued into Sci-fi Blake’s 7-esque sounds from synth (a Dave Smith Prophet 12) with further sounds reminiscent of something you’d hear from the early days of the BBC Radiophonic Workshop. Ali Thynne, ever the master at the drums, changed the vibe completely, playing with hands on snare and toms. The tune went everywhere, a tango, sci-fi, romantic piano and then a phenomenal blow by Teimoori which brought the first full audience applause mid-tune. It was fantastic to see how much the band were loving Teimoori’s playing – Varrall especially. We wish we’d taken a photo of his face. Last tune of the night was the familiar Writer’s Block (vimeo below), a great tune which is forceful, angry, melodic with in your face groove. It’s our favourite actually.
Lee has a great band: five strong musical characters, each vibrant and individualistic, which he has nurtured to create a phenomenal sound. It’s chaotic, energetic, wild, they’re influenced by jazz, pop, disco, Rachmaninov and Debussy, modes, tangos, electronica – and remarkably it has a beautiful cohesion. Narcissus is sublime chaos, a great schizophrenic identity crisis of genre which against all odds makes sense.
Can’t wait to hear them again – (though we want more of the Dave Smith synth)! ~BF
Pete Lee: Piano, Synths, Compositions
Nadim Teimoori: Tenor Sax
Tom Varrall: Guitar
Huw Foster: Electric Bass
Ali Thynne: Drums
Set on 27th January 2014 at the Vortex
2. Mirror Stage
3. Criss Cross
4. Writer’s Block
Check out the Narcissus website and watch ‘Writer’s Block’ below. To read our interview with Pete, click here.
Pianist Huw White started life as a violinist – but we are thankful he quickly made the swap to Jazz Piano whilst studying at the Royal Academy of Music. Huw hails from Southampton though now lives, alongside fellow Blue Flamingos Freddie and Andy, in Wembley North London.
Huw notes his favourite Blue Flamingo moment as ‘playing an accidental ad lib piano cadenza during a Big Band gig in Ruislip’. But we loved it. Nothing like a bit of solo piano. Indeed Huw has an international name as a top pianist, playing all over Europe including the Nisville Jazz Festival in Serbia, and the Ohrid Summer Festival in Macedonia. Huw has also composed orchestral music for the Royal Academy of Music Orchestra (look out for his arrangements for Robin!) and is a favourite with London’s top jazz clubs. Huw has a new album and tour set for UK release with Tangent coming up.
Huw is, not surprisingly, looking forward to consuming large amounts of Chicken whilst in Kentucky (we promise: we know there’s more to Kentucky than Chicken…horses for example!) A football lover to the heart, Huw wanted to let us know he ‘eat’s aeroplanes’, though we have a feeling this comment was inspired by Freddie’s supposed ‘phobia of crumbs’. But here’s a real fact: Huw recently met a very nice gentleman at a post gig reception, and chatted with him for a few minutes. It wasn’t until afterwards that someone pointed out to him he’d been speaking to the Macedonian President.
Huw’s skill for composing music is reflected in his creative improvisation, pushing the boundaries of tonality, listening and interacting with his fellow musicians and in turn bringing together the many talents of Blue Flamingo Jazz.
- Blue Flamingo Pianist: Huw White
- First Published August 27th 2010