What a delicious treat it was finally to hear Stoop Quintet play at the QEH Front Room. Introduced as the ‘passionate and unpredictable’ group from the University of York, this was actually (unlike much jazz promo) a fabulously accurate description.
Starting with the punchy Stoop Kid, its angular shape unashamedly announced the group’s arrival with a kick. Next up was Fable where the hypnotic minimalistic melody developed into beautiful guitar (Alex Munk) and sax (Sam Miles) unisons, with dovetailing piano lines. Miles played a beautiful tenor solo on this: he has a rich warm tone. Munk’s soulful solo sat easily alongside Miles’ and the pairs great soloing are a feature of the group.
Their third tune, Ranch, began with a simplistic repeated chordal piano idea – we had no idea where the tune was going to go. Once again it led to a screamer of a solo from Miles, with the tune ending in a way that can only be described as falling apart – leaves beautifully falling from a tree to the ground.
Despite Jonathan Brigg being band leader, the ‘rhythm’ section of Dave Smyth (Kit), Flo Moore (Upright Bass) and Brigg, feature significantly less as soloists within the ensemble. Instead they hold the complex grooves together, support and interplay with Miles and Munk like an experienced family and put the spark into the group. It’s actually rather refreshing that they don’t feel a need to solo to ‘prove’ themselves. The group would be severely lacking if they were not the backbone.
We wonder if the fifth tune Turn was so named due to the pedal-like melody ending with an embellishment, or ‘turn’, or whether it is that the tune reflects the idea of the piece as a whole. Either way – the relentless ostinato group that sat underneath the solos was beautiful.
The penultimate tune Confession was described by leader Brigg as exactly that: you will ‘hear our confessions’. Indeed the 7/4 groove set a tone of unease which led to a dark and rhapsodic piano solo by Brigg, really pushing the tonality of the piece. Munk and Miles soloed in by far the freest tune of the set. That said, the returns to the really rather rocky grooves acted as pillars supporting the work.
Having traversed many of the genres of contemporary music, SQ finished with Soldier On. Moore moved to the bow for this solemn and beautiful work. The simple but effective lyrical melody rhythmically (intentionally or not) fit to the words ‘Sol-dier on’. The melody thus literally telling us what to do.
Stoop Quintet are characterised by ostinato-esque melodies followed by chaos. They’re not afraid to let the music fall apart, disapparate* with timed elegance, then suddenly bring it back together as a coherent whole. It was a well thought out set, with movement of ideas and textures between tunes. Definitely worth seeing live.
Check our their website here. Set details below.
Part of the Young & Serious arm of the EFG London Jazz Festival.
Foyer at the Queen Elizabeth Hall 19th November 2014, 18:00
1) Stoop Kid ‘Inspired the the Hey Arnold character who had a difficult time getting off the front step’
4) Spring Song
7) Soldier On
*yes, it’s actually a word, even if JK invented it.