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Review: Let Spin Album Launch @ Vortex

let spin vortex let go album launch ruth golfer moss free finally panted christ williams blue flamingo wedding party

Much has been spun about ‘Prog-Post Jazz’ group Let Spin.  On a customary wet and miserable Dalston evening the Vortex audience were, wine glasses in hand, ready to hear their second album launch: Let Go.

Ruth Goller (bass) started the set with her tune I like to Sound Like a Rainforest. With its lyrically lamenting bass line it drew the audience’s attention with simple effectiveness.  Sax and guitar entered with the melody and it quickly settled into a strong 6/8 groove.  The improv section was much freer and angrier, giving us the first taste of the inner mind of Let Go.  Ending with a ‘bell’ toll, Rainforest was a great emotional journey of sounds.

Rainforest set the structural precedent for the next two tunes (Disa & All Animals are Beautiful): strong groove based head in irregular time, heavily free middle section, with a return to the groove at the end.

Disa by drummer Finlay Panter was rhythmically driven (9/4, 4/4, 5/4 time) and it was immediately clear that each member of Let Spin has a clearly distinctive compositional voice. Whilst the improv sections in the first three tunes went in similar directions, the tunes were clearly characterised by their writers.

Fourth in the set was the guitar led E.V.A., a tune by Guitarist Moss Freed. The sax danced on top of the guitar line like the crest on a wave: sax sat perfectly with the guitar and was yet comfortably independent.  E.V.A. was the first tune that ‘kept time’ throughout, refreshingly departing from the signature sound of the set thus far.  It was well placed in the set and by the applause level afterwards, it was an audience favourite.

The final tune of the first set was saxophonist Chris Williams’ ‘Walt’s Waltz’, a great tune in which the raucous Led Bib influences are clear.  (We initially understood the title to be ‘Waltz Waltz’ and with the 6/4 riff this made sense.  Nice to have an extra layer of meaning). The massive sound was ice water to the face (we like ice water) and the epic chaos in the middle was fun and a great way to end the first set.

Let Spin resists many of the traditional quartet idioms, for example each member taking a ‘token solo’. Sax acts as a voice, taking the tune and often giving us the most explosive solos. There are clear sections ‘without sax’ in which the various band members let loose, each musician dripping with virtuosity and creating varied and complex sound worlds.

The second set opened with 102 Hill Street, a tune from their first album Let Spin. The band came alive in this tune – a triumphal announcement letting us know that they were ready to play and show us what they’ve got.

Let Go contains two tunes from each band member. Their website describes them as ‘a band that is not afraid to make the most of their individual voices’. This is actually true (hurray for accurate band descriptions). The variety of the timbres in which they inhabit makes it much more interesting and accessible.

They play on this and the audience were asked to guess who wrote the next tune: Rotation. (we got it right! Panter.  Stickers for us).  His naturally rhythmically driven writing identifies strongly with him.

Next up was Killing our Dreams (Williams), a beautiful tune, as near to a ballad as we would ever hear with Let Spin. The writing for sax is highly lyrical, with repetition within a small range with Freed playing beautifully underneath. The band built behind the simple sax line in an utterly symphonic way in its colour and texture. The sound was huge, and the symphonic effect was completed by the three tonic major chords upon which it finished. True Beethoven.

Rothko’s Field had a latin flavour with Goller, Panter and Freed filling the space perfectly with their signature taste. Up and At Them (Williams) finished the set. The strong bass line played as ever energetically and powerfully by Goller, led to a great solo from Freed and top playing from Panter.  The massive timbres were a great way to finish.

To such applause they gave us an encore lullaby with which to send us home, the final tune from their first album, A Change Is Coming.

Let Spin certainly gave us a show. We cannot undervalue the great and distinctive voices brought by each member of the band. The variety is great, keeps us listening and exploring. Williams, Freed, Goller and Panter each write so powerfully and differently it is a wonderful thing when it all comes together.

Check out their rest of their tour dates here.
Buy the albums here .

Let Spin Album Launch @ Vortex, Saturday 24th October 2015
Set 1
1. I like to Sound Like a Rainforest
2. Disa
3. All Animals Are Beautiful
4. E.V.A.
5. Walt’s Waltz

Set 2
6. 102 Hill Street
7. Rotation
8. Killing Our Dreams
9. Rothko’s Field
10. Up and At them
Encore: A Change is Coming

-BF

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London Jazz Festival: Top Picks

Blue Flamingo London jazz Festival 2014 Freddie Gavita, London City Big Band Sam Leak George Crowley Trisch Clowes Stoop Quintet Zoe Rahman Alice Zawadzki Soweto Kinch The Dixie Ticklers Ezra Collective Led Bib

We can’t get to them all – but here are our picks, based on those we know/have seen live.  There’s going to be so much greatness going on!

Sat 15th Nov, FREDDIE GAVITA, St John’s Downshire Hill, 19:30. Read our review here.  MORE

Sun 16th Nov, LONDON CITY BIG BAND, Spice of Life, 13:30. MORE

Sun 16th Nov, SAM LEAK BIG BAND, Spice of Life, 20:00. MORE

Mon 17th Nov, GEORGE CROWLEY‘S CAN OF WORMS,  The Oxford, 21:00. MORE

Tues 18th Nov, TRISH CLOWES & GUY BARKER w/ BBC CO, Southbank Centre/QE Hall, 19:30. MORE

Weds 19th Nov, STOOP QUINTET, Southbank Centre/Front Room, 18:00. Read our feature here. MORE

Weds 19th Nov, JESSIE BANNISTER & ZOE RAHMAN, PizzaExpress Jazz Club, 20:30. MORE

Weds 19th Nov, ALICE ZAWADZKI, Royal Albert Hall/Elgar Room, 21:45. Read our review hereMORE

Thurs 20th Nov, SOWETO KINCH, 606 Club, 20:30. MORE

Thurs 20th Nov, THE DIXIE TICKLERS, The Golden Hinde, 20:30. MORE

Fri 21st Nov, EZRA COLLECTIVE, Southbank Centre/Front Room, 17:30. MORE

Sat 22nd Nov, LED BIB, Vortex, 20:30. MORE

~BF

 

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Stoop Quintet

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Crowd-sourcing is the thing these days.  It runs splendidly rife in the British jazz community.  We’ve been privileged to enjoy the fruits of the Tommy Andrews Quintet and Led Bib campaigns, and now it is the turn of the Stoop Quintet.

They are: James Mainwaring (Saxes), Alex Munk (Guitar), Mick Bardon (Bass), Dave Smyth (Drums), Jon Brigg (Piano/Composer).  We’ll let them speak (play?) for themselves…looking forward to hearing them at the London Jazz Festival in November 2014!

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